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	<title>www.veronikababayan.com</title>
	<link>https://veronikababayan.com</link>
	<description>www.veronikababayan.com</description>
	<pubDate>Sun, 23 Aug 2026 16:03:40 +0000</pubDate>
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		<title>Hut PPP</title>
				
		<link>https://veronikababayan.com/Hut-PPP</link>

		<pubDate>Mon, 17 Aug 2026 12:55:46 +0000</pubDate>

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	Dichromatic fruit leather experimentation (2026)Fruit (leather), chlorella, spirulina, thread.
Dried fruitchains (2026)
Freeze-dried cranberry, blackcurrant, fishing wire.
	 Hut PPP (Post-Fordist Political Phactory)
TENT, Rotterdam.18 July - 23 October 2026
Part of an ongoing collaboration with Brooderhood.

The terms art and craft have shifted in meaning over time. Craft has often been associated with collective forms of making and the transmission of cultural traditions. Yet the Western art world has historically privileged the myth of the individual “artist-genius”, reinforcing patriarchal structures of ownership and originality while shaping what is recognized as art. 

This hut invites reflection on broader definitions of collective-practice and democracy. Here, it is approached as a form of knowledge transmission, care, and shared responsibility.PPP transforms TENT into a site of collective practice: an open workspace, where a multitude of collectives, makers, and visitors collaboratively contribute to the shaping of the space. While being playful and speculative, PPP is a real physical place of political imagination and connection, proposing alternatives to the ways contemporary politics are shaped.
Organised by Sunflower Soup




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		<title>AYNI</title>
				
		<link>https://veronikababayan.com/AYNI</link>

		<pubDate>Sun, 23 Aug 2026 16:03:40 +0000</pubDate>

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	Material experimentation:Fruit and vegetable leather
	AYNI – LIVING IN ABUNDANCEDe Her, Rotterdam.
7 November 2025 - 18 June 2026
Part of an ongoing collaboration with Brooderhood.

At a time when scarcity and fragmentation shape our collective imagination, AYNI – LIVING IN ABUNDANCE offers a new perspective on abundance, showing how we are already surrounded by “abundance” and how we can pass it on through rituals, traditions, and community - both materially and immaterially. 
Developed by Brooderhood and De HER, the exhibition invites us to move from a landscape of waste to one of regeneration. Rooted in sustainable food practices, ancestral knowledge, traditions, and collective rituals, AYNI – LIVING IN ABUNDANCE reimagines abundance not as possession, but as a movement of giving, receiving, and renewal. It celebrates the connections between people, craft, and nature. In this space, waste becomes raw material, food revives ancient wisdoms, and knowledge is passed on for the well-being of future generations.







&#60;img width="7385" height="4926" width_o="7385" height_o="4926" data-src="https://freight.cargo.site/t/original/i/c3fd0334d3061cea01053a3e0625c508b11f1e878ef93daf5c2bfe2a0fb2147a/jdg_07-11-25_Brooderhood_HER_1I6A6512.jpg" data-mid="251508524" border="0"  src="https://freight.cargo.site/w/1000/i/c3fd0334d3061cea01053a3e0625c508b11f1e878ef93daf5c2bfe2a0fb2147a/jdg_07-11-25_Brooderhood_HER_1I6A6512.jpg" /&#62;

&#60;img width="7856" height="5240" width_o="7856" height_o="5240" data-src="https://freight.cargo.site/t/original/i/116eccdeedfa93964e22ec420561c67737b219fc2116bc0ef3c32c51321f322d/jdg_07-11-25_Brooderhood_HER_1I6A6357.jpg" data-mid="251508520" border="0"  src="https://freight.cargo.site/w/1000/i/116eccdeedfa93964e22ec420561c67737b219fc2116bc0ef3c32c51321f322d/jdg_07-11-25_Brooderhood_HER_1I6A6357.jpg" /&#62;


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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
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		<title>Traditions in Motion</title>
				
		<link>https://veronikababayan.com/Traditions-in-Motion</link>

		<pubDate>Wed, 15 May 2024 18:32:39 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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	Traditions in MotionBrooderhood / Bollepandje, Rotterdam.2, 16, 23 May 2024In collaboration with the Brooderhood initiative, this series of workshops explores the ways in which traditions around food preservation are passed on and transformed over generations. While delving into the tradition of fruit-leather-making, we transformed memories into edible words using fruit leather made from local market waste.This program encourages collective learning through sharing experiences, methods and recipes that tackle food waste.&#38;nbsp;The series concluded with a festive presentation during the Kunst Route West on 25 &#38;amp; 26 May 2024, where the work created at the gatherings was exhibited alongside the film that shows the collective process.
Co-organised with Ximena Davalos
Film by Lucho Alarcón







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	<item>
		<title>Tongue Twisting Dinners: Resistance at Boiling Point</title>
				
		<link>https://veronikababayan.com/Tongue-Twisting-Dinners-Resistance-at-Boiling-Point</link>

		<pubDate>Wed, 15 May 2024 13:44:22 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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	Resistance At Boiling PointPart of the event series Tongue Twisting Dinners, organized and hosted by Eathouse Collective (Vlada Predelina, Jake Caleb, Ulufer Çelik and&#38;nbsp;Merve Kılıçer).An Other World30 June 2023This session brought together voices from Iran, Lebanon, Armenia and Turkey. This region, also referred to as S.W.A.N.A., continues to be affected by entangled geo-politics, oil trade, religious dogma and wars on territorial integrity. Many artists, researchers and historians who raise their voice to address ongoing injustices and criticise hegemonic powers, are often silenced and therefore have to create alternative methodologies and forms of resistance. Diana Al-Halabi’s research unfolds through various mediums and brings in different histories of the region. Veronika Babayan transfers women’s generational knowledge through her artistic practice that deals with antagonistic histories. Whereas JINA Collective is a feminist leftist activist group and community that emerged from the Woman, Life, Freedom Revolution in Iran.
For the dessert Veronika made a collection of words and phrases in Armenian, Arabic and Farsi from fruit leather. In discussion with Diana, she had noticed that many words of endearment in these languages contain synonyms of death, tragedy and violence. There is an internalisation of suffering within the language, however these become used in everyday phrases of affection, support and care.



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Photo courtesy Sophie Bates
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		<title>Pastegh - Fruit Leather and Undulating Storytelling</title>
				
		<link>https://veronikababayan.com/Pastegh-Fruit-Leather-and-Undulating-Storytelling</link>

		<pubDate>Wed, 15 May 2024 12:55:44 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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		<description>
	Pastegh - Fruit Leather and Undulating StorytellingPart of the public program of the group exhibition That Those Beings Be Not Being (2021).W139, Amsterdam17 November 2021A fruit-full workshop involving watching, listening, remembering, and using our hands together. Guided through undulating, non-linear storytelling as well as cutting, cooking and drying collectively.



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		<title>Main</title>
				
		<link>https://veronikababayan.com/Main</link>

		<pubDate>Fri, 04 Dec 2020 10:36:34 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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	VERONIKA BABAYAN

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		<title>All Projects Header</title>
				
		<link>https://veronikababayan.com/All-Projects-Header</link>

		<pubDate>Fri, 04 Dec 2020 10:36:35 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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		<description>All Projects&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;</description>
		
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	<item>
		<title>Banner #1, #2, #3</title>
				
		<link>https://veronikababayan.com/Banner-1-2-3</link>

		<pubDate>Tue, 06 Jun 2023 17:26:32 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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	Banner #1 / #2 / #3 (2023) 
fruit leather, plexiglass, concrete.
	WarmlyHuidenclub, Rotterdam.8 February - 9 April 2023
In this group exhibition artists Veronika Babayan, Natacha Mankowski and Natsuko Uchino inquire into topics of ecology, labour, and identity through their respective approaches to craft as a process and the theoretical orientations emanating from it.
The practice of Craft has its roots stemmed deep in the past experiences of women, identified formerly as what was considered ‘feminine’ labour: the embodied, the physical, and often passed down through oral traditions.
Written by Elina Tapio. Full text available upon request.





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	<item>
		<title>Realms of PostMemory / հետՀիշողության աշխարհներ</title>
				
		<link>https://veronikababayan.com/Realms-of-PostMemory</link>

		<pubDate>Mon, 08 Nov 2021 14:24:33 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

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		<description>
	Realms of PostMemory (2021)&#38;nbsp;
Video 10”15 
fruit leather, plexiglass, wood, laser engraver.
	Motherland / ՄայրենիքYerevan Modern Art Museum
18 - 28 September 2021
Participating artists: Veronika Babayan (Rotterdam), Tatevik Ghukasyan (Moscow), Olga Ganzha (Amsterdam), and masharu (Amsterdam).

“Postmemory”,&#38;nbsp;a term first coined by Marianne Hirsch in the early 1990’s,&#38;nbsp;describes the relationship that the “generation after” bears&#38;nbsp;to the personal, collective, and cultural trauma of those&#38;nbsp;who came before — to experiences they “remember” only&#38;nbsp;by means of the stories, images, and behaviors among&#38;nbsp;which they grew up. But these experiences were transmitted&#38;nbsp;to them so deeply and affectively as to seem to&#38;nbsp;constitute memories in their own right. The connection to&#38;nbsp;the past that she defines as postmemory is mediated not&#38;nbsp;by recall but by imaginative investment, projection, and&#38;nbsp;creation. It is to be shaped, however indirectly, by traumatic&#38;nbsp;fragments of events that still defy narrative reconstruction&#38;nbsp;and exceed comprehension. These events happened&#38;nbsp;in the past, but their effects continue into the present.

Click here to watch the press-interview in Armenian.


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	<item>
		<title>My Mother's Skin Is Made Of Mulberries</title>
				
		<link>https://veronikababayan.com/My-Mother-s-Skin-Is-Made-Of-Mulberries</link>

		<pubDate>Thu, 13 May 2021 13:22:39 +0000</pubDate>

		<dc:creator>www.veronikababayan.com</dc:creator>

		<guid isPermaLink="true">https://veronikababayan.com/My-Mother-s-Skin-Is-Made-Of-Mulberries</guid>

		<description>
	My Mother’s Skin Is Made of Mulberries (2021)&#38;nbsp;
Mulberry fruit leather, cotton thread stitching, edible ink drawing, plexiglass, concrete.&#38;nbsp;
	Mother[hood] - an exhibiton by Veronika Babayan and Olga Ganzha.

The work of the mother is historically kept out of the public sphere, but that doesn’t mean that the Mother[hood] is only as large as her house. What a mother makes becomes economy, what a mother teaches becomes knowledge and what a mother touches becomes society. 




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